The sequel to the mighty 2003 blockbuster! ‘Aarusaamy’ returns 15 years later in a tremendous form. Here’s ChiyaanVikram becoming Saamy once again in his inimitable style! Directed by Hari, with power-packed music by DSP.
The trailer of the Vikram starrer “Saami Square” throws forward a disturbing patriarchal arrogance as Vikram, who is known to experiment with various kinds of roles, runs amok with his machismo.
Never has this solid Tamil actor with a slew of prized performances to his credit, been seen to be so blatantly and crudely heroic in the most basic cinematic sense. Rippling muscles, flaring nostrils, blaring dialogues Playing a cop he snarls, he swears, he beats up his adversaries, and most macho of all, he treats his lady love like trash.
This is Salman Khan’s “Dabangg” territory being invaded by the redoubtable Vikram. And the prime casualty of Vikram overweening machismois the leading-lady Keerty Suresh .Just the other day gorgeous lady held centrestage in Mahanati. Now here in her first post-Mahanati release she is content being the secondary interest, the glamour prop, so to speak.
This is truly unfortunate. It just shows that the patriarchal mindset runs dangerously deep in Indian cinema. In Bollywood the female hero may rule in “Raazi” and “Veere Di Wedding”. But the kind of build-up and welcome given to Salman Khan in “Race 3” is unequalled by anything the ladies can do.
One can see Vikram , a fine actorwith a penchant for nuanced character construction, struggling to appear larger than life Saami Square(not to be confused with Saami Circle) . He screams for attention in bare-chested glory barely giving the other actors a chance to have a word edgewise.
The worst casualty is Keerty , whom the audiences expect to see a lot more of after Mahanati than what Saami Square(what kind of a title is that?) is likely to offer.This is not what we expect from her. Or for that matter from Vikram whom we have come to associate with quality cinema in Tamil.